A two-part tape of a video performance done on January 22, 1974, at 112 Greene Street (as part of the Video Performance Exhibition), structured on a problem in game theory, a non-zero-sum game, in which both players can win or lose at the same time, one can win more than the other, and one can win at the others expense. Serra and Bell have used game theory as a way of dealing with genres of commercial TV: cops and robbers in the first part, and a quiz program in the second.

Keller Dover is facing every parent’s worst nightmare. His six-year-old daughter, Anna, is missing, together with her young friend, Joy, and as minutes turn to hours, panic sets in. The only lead is a dilapidated RV that had earlier been parked on their street.

Melodrama set in South Vietnam in the 1960s. Krueger (Bramhall), a former infantry lieutenant, is imprisoned at Quai Dong, on the South China Sea, for refusing to fight. After a year at hard labor, he is told to use his Vietnamese language skills to question a Viet Cong suspect. The prisoner is drugged and tortured during the interrogation. Krueger eventually stops the torture by pretending that the prisoner has disclosed the location of a supply dump.

Melodrama set in South Vietnam in the 1960s. Krueger (Bramhall), a former infantry lieutenant, is imprisoned at Quai Dong, on the South China Sea, for refusing to fight. After a year at hard labor, he is told to use his Vietnamese language skills to question a Viet Cong suspect. The prisoner is drugged and tortured during the interrogation. Krueger eventually stops the torture by pretending that the prisoner has disclosed the location of a supply dump.

Whichever side he chooses, someone's gonna die. Death row inmate Rudy Salazar cuts a deal he can't refuse: he'll donate his rare bone marrow to a young girl dying of leukemia. In return, his death sentence is commuted to life without parole. L.A. Detective Quin (C. Thomas Howell), the cop who brought Salazar's murderous rampage to an end, sees through Salazar's selfless facade. En route to the hospital, Salazar makes a daring escape. Now it's up to Quin and his sexy partner, Lydia, to bring Salazar to justice one more time and save the life of an innocent little girl before it's too late.

Behind every prisoner, there's a wife, girlfriend or mother doing time on the outside. For some it's a nightmare, for others a liberation. Prisoners' Wives - it's time to tell their stories.

Behind every prisoner, there's a wife, girlfriend or mother doing time on the outside. For some it's a nightmare, for others a liberation. Prisoners' Wives - it's time to tell their stories.

Released from prison with terminal cancer, Max tries to reconnect with his estranged daughter and the grandson he’s never known. When his daughter’s abusive, drug-addicted ex-husband reappears, Max’s violent past comes back to haunt them all.

Newlywed couple Jay and Monica struggle to decide which set of in-laws they should join for their first Christmas. They eventually decide against picking one family over the other. Little do they know, their decision is made for them when their families show up unannounced.

Prisoners of Gravity was a Canadian public broadcasting television news magazine program that explored speculative fiction — science fiction, fantasy, horror, comic books — and its relation to various thematic and social issues. Produced by TVOntario, the show was the brainchild of former comic retail manager Mark Askwith and writer Daniel Richler, and was hosted by Rick Green. The series aired 139 episodes over 5 seasons from 1989 to 1994.